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  1. The Year of the Dragon, Books 1-4 Bundle
  2. Your audiobook is waiting…
  3. The Year of the Dragon – James Calbraith

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The Year of the Dragon, Books 1-4 Bundle

I had to keep my service charging me to finish the book I was in the middle of and then leave a credit behind when I left their service. Audiobooks has never cut me off mid book. With the bell tower now half-destroyed, Bard is forced to make a makeshift crossbow using a rope that held the bell, some pieces of broken wood, and Bain as a stand. Smaug lands, and looks towards Bard, sneering at his attempts to stop him. Ignoring this, Bard notches the arrow, while Smaug charges him and his son. Bard fires his arrow, which hits Smaug straight in the chest, the shaft sinking into the missing scale.

The dragon stumbles, knocking Bard and Bain off their perch, before flying back up. Clawing and biting at the sky, his internal glow fades as he dies in mid-air. Smaug's body, upon falling to the water, lands on Laketown's corrupt master, killing him. Even after his death, Smaug's influence is felt throughout the movie. Aside from the damage he inflicted on Lake-Town, driving the residents to try and stay in Dale, as Thorin falls under the influence of the dragon sickness, Bilbo begins to hear him speak in Smaug's voice, and Thorin experiences a hallucination of Smaug while walking on the golden floor that they created while trying to 'drown' the dragon.

Smaug was considered the highlight of the second film of the series. Universal praise was also given to the visual effects company Weta Digital and the vocal and motion-capture performance of Cumberbatch for bringing a fully realized personality to Smaug.

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Should the Dragon have survived it's attack upon Lake-Town then the Dark Lord would have used him to terrible effect possibly as a commander for his host similar to how Morgoth used Glaurung in the First Age to assault Nargothrond. While his personality is more or less the same as the book, in the films, Smaug is considerably more malicious and cruel.

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He takes much more pleasure in psychologically tormenting Bilbo, making suggestions that Thorin was just using him, that flattery wouldn't keep him alive, choosing to spare Bilbo so that he can watch Lake-town burn and showing pleasure that Bilbo cared about the people of Lake-town and tell him that their deaths would be on his head, and sarcastically asking him how he would like to die. Smaug showed himself to be intensely sadistic, contemplating out loud that he would allow Bilbo Baggins to bring the Arkenstone to Thorin if only to watch the stone wreak havoc on Thorin's mind the way it did Thror's.

During his attack on Lake-town, Smaug went out of his way to mock and sneer at Bard and Bain. He was also aware of the return of Sauron, and was apparently intent on joining forces with him although there was some amount of confusion as to whether the dragon's motives for an alliance with Sauron were [9]. Like his book counterpart, Smaug is extremely arrogant, and the mere implication that he may possess a weakness made him visibly angry; being insulted by Thorin was also quick to earn his anger.

Smaug was supremely confident in his own powers, shown in his famous speech about how certain components of his body were weapons of destruction. He was utterly ruthless, completely capable of committing genocide in pursuit of his goals, but more likely for the sheer horrific pleasure of it. Due to his overwhelming hubris, Smaug clearly suffers from a superiority complex, believing himself to be King Under the Mountain on account of how he had destroyed the original kings; Smaug's obsession with gold and his own possession of it would be startling enough for Bilbo to realise later when Thorin started to show the same kind of sickness..

It is possible that he can change how his fire-breath comes out, depending on the situation. In the first film, his fire was more liquid and napalm-like, which had enough power and mass to shatter stone buildings, and its blast could spread on the ground. In the second film, his fire is similar to a more typical fire, flamethrower-like, with immense firepower, enough to engulf his whole body.

It is possible that his breath in the second movie was normal fire because his priority was to kill the intruders, and not to cause destruction, and to protect his treasures as well as not risk having the mountain fall down on him. Likewise, since most of Lake-Town consist of wood as opposed to the stone buildings of Dale, Smaug wouldn't need to rely on his flames to cause destruction, but just watch it spread.

Year of the clearpascoca.ga Kosei Wind Orchestra.

Even with that limitation, though, his single breath was enough to reignite the great forges of Erebor. His large size is shown to grant him practically incalculable brute strength, sufficient for him to easily break through the mountain. His armored scaly skin is shown to be nearly impenetrable and his natural endurance for heat is demonstrated by being able to survive being submerged in molten gold.

His senses are acute enough that he was able to detect the sound and smell of a Hobbit, even when the ring rendered Bilbo invisible to the eye. It is show that his roar from Erebor is powerful enough to be heard in Lake-town.


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  5. He was as intelligent as any man, if not more so, and he is able to communicate with people. Visually, Smaug is shown to glow with red light from within when he is about to unleash his fiery breath, with the same red light emanating from his eyes, only dimming at the moment of the dragon's death. In addition, his encyclopedic knowledge of his hoard is shown to be so great that he managed to feel the One Ring carried by Bilbo, describing it as "something made of gold, but far more precious".

    In the film adaptations, Smaug dramatically increased in size. In the comments of "Made in the Makings", his size is mentioned to be meters in length and "bigger than two jumbo jets" [10]. In original concepts, Smaug was supposed to be more menacing, gigantic, and serpentine than in the actual movie, and these changes were made to make his character more 'special'.

    The same trait happened with Gollum as well [11]. In pre-publishing comments by Joe Letteri, the Oscar winning VFX supervisor from Weta Digital, Smaug was said to be "twice as big as a Boeing ", indicating each wing could be more than 60 to 70 meters in width [12]. The dragon was created with "key frame" animation, meaning it was animated by hand, in addition to Cumberbatch's motion capture performance. Weta Digital employed its proprietary "Tissue" software, honored in with a "Scientific and Engineering Award" from the Academy of Motion Picture Arts and Sciences, to make the dragon as realistic as possible.

    Cumberbatch aimed for Smaug's voice to be "that bridge between animal and human, something guttural, deep and rasped, kind of dry as well because of all the fire breathing. Additionally, several scene captures revealed that his scales were seen to be in blue coloring at the very end of the film for unknown reasons, although this could largely be because the filmmakers had yet to finalize Smaug's design when the film was released. The film also deviates from the book in portraying Smaug's underbelly as being as heavily armored as the rest of him, rather than being artificially protected by a coat of gold and gems.

    Unlike in the books, Smaug gives no mention to his tail or fiery breath during his speech to Bilbo, nor does he use either to smash the mountainside before he flies to Lake-town, although he does breathe fire during the battle with the dwarves. Summary from book jacket: Three dragons. One unavoidable, unpredictable destiny. This is the beginning In the SeaWing kingdom, a young prince learns he is an animus - capable of wonderful magic that comes with a terrible price.

    In the mind of a NightWing dragonet, a thousand futures unfold - and almost all of them, she knows, lead to disaster and destruction. And under three full moons and the watchful eyes of his NightWing mother and IceWing father, the most powerful dragon Pyrrhia will ever know is clawing his way out of his egg: Darkstalker, the dragon who will change the world forever. Ivy doesn't trust the Dragonslayer. He may be her father and the beloved ruler of Valor, but she knows he's hiding more than the treasure from the sand dragon he killed two decades ago. Leaf doesn't trust dragons.

    They're the reason his favorite sister, Wren, is dead, and now he'll do whatever it takes to slay even one. Wren doesn't trust anyone.

    The Year of the Dragon – James Calbraith

    She swore off humans after her village tried to sacrifice her to the dragons. She only has one friend, a small, wonderful mountain dragon named Sky, and they don't need anyone else. In a world of dragons, the humans who scramble around underfoot are easy to overlook.